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Director Basil Coleman initially felt that the play should be filmed over the course of a year, with the change in seasons from winter to summer marking the ideological change in the characters, but he was forced to shoot entirely in May, even though the play begins in winter. wonder is that they bothered to put film in the camera, for sadly this is Shakespeare sans teeth, eyes, taste, sans everything."Branagh moved the play's setting from medieval France to a late 19th century European colony in Japan after the Meiji Restoration.This, in turn, meant the harshness of the forest described in the text was replaced by lush greenery, which was distinctly unthreatening, with the characters' "time in the forest appear[ing] to be more an upscale camping expedition rather than exile."Set in a modern, urban, environment. It is filmed at Shepperton Film Studios and at the never-before-filmed gardens of Wakehurst Place. The film tells the story of a Bengali merchant from Kolkata and his servant who visit a small town for a business appointment, but, whilst there, are mistaken for a pair of locals, leading to much confusion.Neither of these plays was successful, but Welles considered portraying Falstaff to be his life's ambition and turned the project into a film.In order to get initial financing, Welles lied to producer Emiliano Piedra about intending to make a version of Treasure Island, and keeping the film funded during its production was a constant struggle." with Shakespeare himself taking part in the action.Branagh's film turns Love's Labour's Lost into a romantic Hollywood musical.Welles shot Chimes at Midnight throughout Spain between 19; it premiered at the 1966 Cannes Film Festival, winning two awards there.
In 1960, he revived this project in Ireland as Chimes at Midnight, which was his final on-stage performance.
The play was translated into Māori in 1945 by Pei Te Hurinui Jones, and his translation is used for the film.
It is the first Māori-language film adaptation of any of Shakespeare's plays, and the first feature length Māori film.
Welles said that the core of the film's story was "the betrayal of friendship." The script contains text from five of Shakespeare's plays: primarily Henry IV, Part 1 and Henry IV, Part 2, but also Richard II and Henry V, as well as some dialogue from The Merry Wives of Windsor.
Ralph Richardson's narration is taken from the works of chronicler Raphael Holinshed.